Juxtaposed to this is the Mystery Theme, an eerie and unsettling eight note descending chromatic statement by solo Theremin, which also permeates the score. In my judgment it is one of the most beautiful and stirring love themes in film score art. This timeless theme offers testimony to Rózsa’s supreme gift for melody. For the score Rózsa provided four primary themes foremost is the Love Theme, a grand, lush and sweeping romantic string born identity expressed passionately in both it’s A and B Phrases. Most interesting is the fact that Spellbound serves as the only collaboration between Rózsa and Hitchcock. Interestingly enough, it has been revealed ex post facto that Hitchcock did not like the score! Yet it is not without irony that when Spellbound was nominated for an Oscar and eventually won, both Selznick and Hitchcock sent Rózsa letters that were effusive with praise. Selznick, the producer and Alfred Hitchcock, the director asked for “a big love theme coupled with the strange sound for the paranormal.” As such, Rózsa penned one of the most sumptuous love themes in film score history and introduced the unique sound of the musical instrument the Theremin to emote the paranormal. Driven by love, Constance seeks to illuminate his path back to sanity by trying to resurrect repressed memories without shattering him in the process, as such the story is a classic commentary on the eternal conflict of heart vs mind.Īccording to Rózsa, David O. As the story unfolds she discovers that her love interest is really an imposter, an outsider trying to falsely portray himself as Dr. Sadly unsettling aspects of his personality slowly begin to slowly reveal themselves.
#Spellbound movie youtube professional
We see a cool and analytical Constance lose her professional detachment and immediately fall in love with Dr. Constance Peterson, a psychoanalyst working at the Green Manors mental hospital and Gregory Peck playing her love interest, the dashing Dr. The stellar cast included Ingrid Bergman playing Dr. The story offers testimony to Hitchock’s supreme mastery of suspense, camera work, and cinematography. The 1945 Alfred Hitchcock mystery/suspense film Spellbound dealt with the new field of psychoanalysis and the inner workings of the human mind.